I pay a lot of attention to every single instrument I make. I am searching for the individuality of the piece of wood I am working with. From the moment when I cut a branch for a flute (in most cases I use Elder), I can sense the possibilities of (the potential for) an instrument hidden in it. Then I just try to release the flute from the material, giving it the best qualities, engraving as much life in it as possible. When I let a flute leave my workshop, I bless it so that it can spread a lot of joy among people.
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Different flutes |
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Different flutes |
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Different flutes |
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